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Interview with Gabriel Domínguez, INBA student. @DOMINGUEZ_GABRIELALEJANDRO At a young age, Gabriel Domínguez Álvarez is already emerging as one of the most sensitive and talented young promises in the contemporary music scene. A pianist and composer trained at the National Center for the Arts, he has impressed audiences with his artistic maturity, expressive depth, and a technique that reflects years of discipline and passion. Great-grandson of the renowned composer Alberto Domínguez—whose international classics Perfidia  and Frenesí  crossed borders—Gabriel is the heir to a musical legacy that has shaped the history of both Mexican and global music. EAM: At what age did you discover your interest in music, and what was your first contact with the piano like? Gabriel:  Music has been present in my life since I was born. One of my earliest memories —although I’ve also been told about it— is of my paternal grandfather approaching my crib with his violin to play melodies composed by my great-grandfather, Alberto Domínguez. Those sounds were, without a doubt, my first contact with music. During my childhood, around the age of six, I became fascinated with the piano after hearing my maternal uncle play at family gatherings. I remember being deeply moved the first time I heard the piece Corazón de Niño by Raúl Di Blasio. That was the spark. In middle school, without any formal musical training, I let myself be guided by curiosity and instinct. I sat at the piano and tried to play that same piece that had impacted me so deeply. It was a magical moment. When I managed to play it by myself, I felt such a strong mix of excitement and accomplishment that I literally jumped for joy. That experience was decisive: from then on, I knew the piano and music would be an essential part of my life. That’s when a deep passion was born, one that still accompanies me today. EAM: Who have been your main musical influences, and how have they shaped your style as a composer? Gabriel:  My first influences came from my family. My maternal uncle, who loved the piano, taught me my first notes and inspired me with pieces that gave me goosebumps and brought tears to my eyes. My grandfather and great-grandfather, Alberto and Marcos Domínguez, have also been fundamental. Their legacy fills me with pride and motivates me to keep improving. Although they paved the way for me, my style as a composer comes from what I feel. My goal has always been to create music that touches the soul, that moves, supports, and empowers those who, like me, find in music both a refuge and a driving force. EAM: How would you describe your creative process when composing a piece? Gabriel:  My creative process has three stages. It all starts with a triggering emotion: sadness, love, melancholy—something I need to express. Then, I give it shape: I think about instrumentation, intention, and make small sketches to use as a base. Finally, I sit at the piano, open my heart, and let it flow. My hands translate what I feel into music, as if writing a letter without words. I know I’m on the right path if I get goosebumps or feel even more emotional than I expected when I started. EAM: What emotions or themes do you usually explore in your compositions? Gabriel:  I’m a very sensitive and romantic person, which is why my compositions often explore love, heartbreak, melancholy, tenderness, and passion, always from an instrumental and emotional perspective. EAM: Is there a particular original piece you consider especially significant in your career so far? Why? Gabriel:  There are three pieces that are very important to me: The first is The Last Breath, my very first composition, which helped me get into INBA and made me realize I could express emotions through music. It was born during the COVID-19 lockdown. The second is Mi Pequeña Bailarina (My Little Ballerina), dedicated to my girlfriend. It’s a romantic and technically demanding piece in which I poured all my heart to express love and tenderness in the most perfect way possible. The third is TikTak Contra Reloj (TikTak Against the Clock), dedicated to my mother. This frenetic composition reflects her constant battle against time and daily pressure, but it also seeks to convey the peace and sweetness we all need in life. It’s a tribute to her effort and dedication—something I value deeply. EAM: What does being part of the National Center for the Arts mean to you, and how has it influenced your musical development? Gabriel:  It’s an honor and a great opportunity. It has helped me understand the deep relevance of music in life, and to keep learning this beautiful language that allows us to express emotions through notes when words aren’t enough. EAM: You've been recognized for your sensitivity, technique, and musical maturity at a very young age. How do you experience this, and what challenges does it bring? Gabriel:  For me, constantly improving and surpassing myself is the best way to measure my progress. It fills me with joy to know that my music reaches people’s hearts. My challenge and commitment is to keep growing so I can touch even more lives and leave a magical mark through my work. EAM: As the grandson of violinist Marcos Domínguez and a member of a family with such an important musical legacy as that of Alberto Domínguez, how do you experience that artistic heritage? How does it influence your identity as a musician and composer? Gabriel:  For me, this legacy is both a source of pride and a goal to surpass. Being the grandson and great-grandson of such talented musicians inspires me to create my own style with clarity and passion, always with the desire to honor and exceed that valuable family mark. My musical roots connect me deeply with a rich and meaningful history that guides and motivates me. EAM: What dreams or projects would you like to pursue in the coming years as a composer and performer? Gabriel: I would love to release albums with my own music and gain international recognition. I also dream of working on scoring short films, dance, cinema, and other audiovisual projects. My greatest wish is to touch people’s hearts through my compositions and convey emotions that stay with them forever. Gabriel Domínguez is currently pursuing a Bachelor's degree in Piano and Composition at the National Center for the Arts. "If you are an artist, paint until your work speaks for you. If you are a musician, play until your music moves you to tears. Let your passion be the motivation and energy that drive you to achieve the impossible." -Gabriel Domínguez

Interview with visual artist Gaby Acosta. @ gaby.arte _bienestarmental We had the honor of speaking with Gaby Acosta, an artist who has managed to merge her two great passions: painting and mental health advocacy. Through her hyperrealistic portraits and her focus on positive psychology, Gaby has found a unique way to convey a message of well-being and fulfillment. In her work, light, color, and harmony come together to create peaceful atmospheres, reflecting her commitment to art as a vehicle for emotional healing and personal growth. Below, we explore her vision of art and its connection to well-being. EAM : Gaby, in recent years you’ve managed to combine two major passions: painting and mental health. How did the connection between art and the promotion of well-being sciences come about? Gaby : I started painting and studying the science of happiness and mental health at the same time and for the same reason. After 30 years devoted to my first passion, horses, I felt that my cycle in that world was coming to an end. My body told me the same: the pain in my knees led to surgery that kept me in bed for two months. For someone always active, it was torture. That’s when I truly turned to painting and created my first piece I felt proud of. Around the same time, I discovered a course on the science of happiness with Dr. Tal Ben-Shahar. I decided to get certified as a Happiness Trainer and set a goal to pay for the course by selling my paintings so it wouldn’t impact our family finances—and that’s what I did. Once I finished my certification and began my career as a painter, I thought I had to choose between art and mental health. In an artist coaching session, my advisor helped me see there was no dilemma: “As an artist, the most important thing is to have a subject that defines you—and you clearly have one.” That’s when I realized mental health, scientifically grounded happiness, and my other passions were the raw materials of my work, my muse, and my inspiration. EAM : What motivated you to leave horseback riding—a sport that gave you so much—and dedicate yourself fully to painting and the neuroscience of well-being? Gaby : I started riding at 11, first in charro escaramuza, where I won several state championships and was once a national runner-up. Then I competed in reining, became certified as an equine therapist, and in recent years, focused on barrel racing. Horses are beautiful and I still love them, but riding is physically demanding and carries significant risk. At 12, 15, even 30, I didn’t notice it—but at 40, and as a mother, the risk was always on my mind. I stopped enjoying it and became obsessed with achievements. The knee surgery made me see it was time to close that chapter and start a new one. EAM : Your work features beautiful and luminous hyperrealistic portraits, but also some expressionist strokes. How would you define your artistic style, and what are you trying to convey with this fusion of techniques? Gaby : I'm in a critical stage, searching for my own style. I’m drawn to hyperrealism, but just painting reality doesn’t fully satisfy me—I want to add my personal touch, my emotions, passions, and a hidden message. Even though I haven’t completely found it yet, I enjoy the exploration process. EAM : As an ambassador of well-being neuroscience, how does your knowledge of positive psychology influence your creative process and the messages you wish to convey through your art? Gaby : What we allow into our minds is fundamental. My art reflects what I wish for myself and for others. I want my pieces to inspire and help create a better world—both externally and internally. I believe in imagination and that we can create our own reality. My work is designed to positively influence the lives of collectors and offer a vision of a more beautiful world. EAM : What role does mental health play in your personal life, and how is that influence reflected in your paintings? Gaby : Mental health has been a constant in my life—both in my own experiences and those of my loved ones. I believe it’s our responsibility to care for our minds regularly and non-negotiably. That mindset is reflected in my work, which shows my commitment to mental well-being. EAM : What do the honest smiles and peaceful atmospheres you create in your characters mean to you? How do you convey those states of fulfillment in your compositions? Gaby : I've taken care to preserve my innocence, which has made me optimistic even in difficult times. My paintings reflect that light, happiness, and human connection, which I see as my greatest source of inspiration and motivation. What I value most is the genuine connection with other living beings. EAM : We know your work is influenced by artists such as Fabiano Milani, Torsten Wolber, and Rosso Emerald. How do these influences show up in your style and technique? Gaby : I admire many artists, and these are just a few. Fabiano Milani taught me the technique I use most in hyperrealism, Torsten Wolber inspires me to be more free in my painting, and Rosso Emerald encourages me to mix hyperrealism with abstraction—something I’m trying to achieve in my own way. EAM : Through your art, how do you aim to communicate the positive psychology of authors like Tal Ben-Shahar, Nazareth Castellanos, and Brené Brown? Gaby : All three have deeply transformed my personal life, and in some way, I aim to develop a painting style that can tell stories—stories of transformation inspired by their teachings. That’s why I seek a way to blend realism with fantasy, to share those journeys. EAM : Your work makes predominant use of light. What does light represent to you in your paintings? Gaby : Light represents goodness, optimism, wisdom, and joy. However, I believe that part of human growth is also embracing our shadow. In my upcoming works, I want to show that light and shadow coexist and that both are necessary for learning and growth. EAM : How would you describe the creative process behind your works? What emotions and thoughts accompany you when you’re in front of the canvas? Gaby : It always starts with something that moves me deeply. Even though I feel excited while painting, I believe more in discipline and consistency than in waiting for inspiration. Inspiration comes while you’re working—and commitment is key. EAM : As an artist and emotional well-being advocate, what message do you hope people take away when viewing your work? Gaby : I want people to understand that what they see every day really does affect their life. My art seeks to bring beauty, hope, motivation, and optimism into their daily lives. EAM : Finally, how do you imagine the evolution of your art in the future? What projects or exhibitions are coming up, and what are your artistic aspirations? Gaby : I’m in search of a personal style that allows me to tell stories through realism. My next project is to create two interconnected works that will illustrate a book based on my learnings and personal studies, which I’ll present in conferences and exhibitions. I’m very excited about this project! We sincerely thank Gaby Acosta for sharing her vision and passion for art and well-being with us. Her ability to merge these two worlds reminds us of the power art has to heal and to promote an emotionally healthy life. We’re confident that her work will continue to inspire many through her beautiful compositions and her message of fulfillment and balance. Copyright Gaby Acosta / Title: Gozo / Medium: Oil on canvas / Dimensions: 90cm x 70cm. “Gozo” is a work that masterfully celebrates the essentials of life with technical skill and emotional sensitivity. A wordless, moving scene “Gozo” portrays a child laughing during a bath, his body covered in water and his face lit up with an expression that says it all. The bright eyes and open mouth in mid-laughter radiate such pure happiness that it’s impossible not to smile when looking at it. The abstract background, in warm tones and soft textures, creates a dreamlike atmosphere—as if the environment itself were also celebrating that moment of fulfillment. The composition, while seemingly simple, is full of intention and balance. “Gozo” by Gaby Acosta: The art of celebrating the essential In a world where contemporary art often leans toward the conceptual, critical, or provocative, Gaby Acosta’s Gozo  arrives like a breath of light. This painting stands out not only for its technical mastery but also for its ability to convey a universal emotion: genuine joy. While children’s portraiture has historically been explored in various styles and contexts, Gaby Acosta offers a fresh, optimistic, and deeply human perspective. In Gozo , the extraordinary lies within the ordinary: a child at play, laughing freely, soaked in water, unaware of the outside world. The spontaneity of the gesture, the overflowing laughter, and the vital energy radiating from the child’s face lend the piece a heartfelt authenticity. It’s a common scene, yet captured with such sensitivity that it becomes a unique expression of pure joy. Acosta’s technical mastery is immediately evident. With an execution that borders on photorealism, she renders complex textures like wet skin, airborne droplets, and the glow on the face with remarkable precision. The use of color, lighting, and the contrast between the abstract background and the hyperrealistic figure provide both visual depth and emotional richness. Technique here is not about showing off—it serves the emotion. Everything in this work is designed to move the viewer, not just impress them. In times of anxiety, information overload, and emotional disconnection, Gozo  serves as a visual reminder of what truly matters. Gaby Acosta embraces authentic happiness, innocence, and full presence. Instead of complicating the message, she distills it with skill: she shows that fulfillment can be found in the simplicity of the present moment. Her painting does not deny the challenges of the world, but rather offers a hopeful and emotionally nourishing response. "Gozo"  is much more than a child’s portrait. It is a celebration of life, an invitation to reconnect with simplicity, and a testament to the fact that art—when created with technique, intention, and heart—has the power to heal, move, and endure.

Interview with Isabel Ruiz de Velasco, Visual Artist. @ isabelruizdevelascoartist Isabelruizdevelasco@hotmail.com With a distinguished and prolific career, Isabel Ruiz de Velasco  has established herself as one of the most influential figures in contemporary Mexican art. Her work has transcended borders and disciplines, representing Mexico on major international stages. Escaparate Arts Magazine  speaks with an artist who doesn’t just paint—she transforms, connects, and inspires. EAM : Ruzi, you have a career spanning more than 30 years in visual art. How has your artistic language evolved from your early works to the present day? Ruzi : My artistic language has evolved deeply and organically over more than 30 years of work. In the beginning, I explored techniques and emotions; over time, I developed a personal style—recognizable for its originality, technique, and composition. What has changed most is the intention: my work has shifted from a personal search to a clear message about human diversity, peace, and the conscious use of technology. This transformation has been natural, the result of both artistic and spiritual growth. Today, I work with large formats, mixed media, and an intentional color palette, as seen in my New Civilization series. I no longer paint only for form, but to inspire reflection and real connection. That awareness is, without a doubt, the greatest evolution in my art. EAM : You’ve worked as a painter, muralist, restorer, and animation producer. How do you manage to balance and connect so many disciplines within your artistic practice? Ruzi : Balancing so many disciplines has been a journey of dedication, discipline, and passion. As a woman, mother, and wife, I’ve learned to organize my time with commitment while maintaining a 30+ year career as a painter, muralist, restorer, and animation producer. Each field has enriched me: restoration taught me precision and respect for history; muralism gave me a sense of collective and symbolic consciousness; animation brought visual storytelling and teamwork—collaborating with Pixar and Disney was an incredible experience—and painting, my core, grounded my technique and personal style. Today, everything is integrated into a single artistic practice. These are not isolated paths, but layers that build a solid and profound vision. EAM : With more than 200 group exhibitions and 20 solo shows in prestigious museums, was there one that marked a turning point in your career? Ruzi : Yes, definitely—my solo exhibition at the Museo de la Mujer, inaugurated on International Women’s Day. Over the course of a month, 1,742 people attended. I presented 88 pieces from my New Civilization collection. EAM : You’ve received over 150 awards, including an honorary doctorate from UNAM. What do these kinds of distinctions mean to you personally and professionally? Ruzi : It has been a deeply meaningful honor. I don’t create art to win awards—I do it to leave a mark. These recognitions affirm that the journey, with all its light and shadow, has been worthwhile. Personally, I share them with my family and everyone who has believed in me. They remind me that authenticity and perseverance endure. Professionally, they strengthen my commitment to the quality and message of my work: respect for diversity, authentic communication, and art as a tool for transformation. The honorary doctorate from UNAM was especially emotional—a recognition not only of my work, but of my voice as a woman, a Mexican, and a creator. It drives me to keep contributing through beauty, truth, and a desire for a more humane world. EAM : You are currently presenting your New Civilization collection at the Museo de la Mujer. What message does this new phase of your work aim to convey? Ruzi : New Civilization is a collection that envisions a more humane and conscious future, where technology, peace, diversity, and life coexist in harmony. Through symbolic figures, animals, and plants, I propose a vision of hope and balance. This phase of my work reflects an evolution toward a cleaner, deeper language. EAM : You’ve represented Mexico in countries as diverse as Lithuania, India, and the Arab world. How is Mexican art received in such different cultural contexts? Ruzi : I’ve seen firsthand how Mexican art creates a strong emotional connection, even beyond cultural or language barriers. Our symbolic richness, vibrant colors, and deep roots touch something universal. When I present my work abroad, I feel like I carry a living story of identity and transformation. As a Mexican woman with a distinctive style, the reception has been even more meaningful. My work is not folkloric, but it is deeply expressive of the Mexican spirit: the land, the human, the struggle, and the hope—and that’s appreciated all over the world. These intercultural experiences have also made me more aware of art’s power as a bridge: a space for dialogue, understanding, and peace. EAM : You are deeply committed to social, educational, and ecological causes. From your perspective, what role does art play in social transformation? Ruzi : For me, art is not just a form of expression—it’s a powerful tool for social transformation. From the start of my career, I’ve been convinced that art can awaken consciousness, pose difficult questions, and inspire new paths. It’s not only about aesthetics—it’s about message, stance, and action. My commitment to social, educational, and ecological causes comes from a deep need to contribute something that goes beyond the visual. Throughout my career, I’ve worked with communities, youth, and women, and I’ve seen how a piece of art can heal, awaken dignity, create identity, and give voice to the voiceless. EAM : You were named Ambassador of the Golden Eagle and have worked on endangered species protection. What led you to become involved in environmental causes? Ruzi : Being named Ambassador of the Golden Eagle was a profound honor, because it goes beyond a national symbol—it represents the sacred, the ancestral, and the living. For years, I’ve felt a strong connection to nature and a responsibility to act in the face of its deterioration. Art opened my eyes to the value of life and gave me a voice to raise awareness. My environmental involvement comes from love and urgency. Seeing species like the Golden Eagle at risk, I realized I had to use my platform to provoke reflection and action. The Golden Eagle, with its strength and symbolism, reminds us of what we can become if we reconnect with what truly matters. Protecting it also means protecting our humanity. EAM : Your work appeared in the Netflix series Made in Mexico and you’ve collaborated with major brands like Kellogg, Bimbo, and Procter & Gamble. What are the challenges and rewards of linking art with industry? Ruzi : One of the biggest challenges has been maintaining the integrity of my artistic language without giving in to commercial pressures. For me, it’s essential that each collaboration respects my style and vision. It’s not about adapting art to a brand, but about building a bridge where both sides grow authentically. The greatest reward is seeing how art can live beyond traditional spaces like museums or galleries. When it appears in an international series or on everyday products, it allows the message to go further, to reach people who may never have encountered contemporary art before. EAM : You’ve worked with the UN, NASA, and UNESCO, and participated in global campaigns. What have these international collaborations taught you? Ruzi : They’ve been deeply enriching. These experiences have allowed me to connect art with science, education, and human rights—showing that art is a universal language capable of raising awareness and connecting cultures. With the UN, I’ve participated in peace and sustainable development campaigns; with NASA, in projects that translate cosmic wonder into inspiring images; and with UNESCO, in initiatives that promote cultural diversity and access to art. Ruzi’s  work is a testament to sensitivity, strength, and commitment. Her ability to build bridges between art and social action has positioned her as a vital and necessary voice in today’s cultural landscape. In a world that demands empathy and transformation, artists like Isabel Ruiz de Velasco  remind us that art is not only expression—it is also a tool, a memory, and a source of hope. From her New Civilization  collection to her role as an ambassador for global causes, Ruzi  continues to build a legacy that extends far beyond the canvas. The New  CIvilization  / Copyright Isabel Ruiz de Velasco. "Art is my visual voice, through which I contribute to social causes and the protection of endangered species." Isabel Ruiz de Velasco   Geometry of the Collective Soul In her most recent series titled “The New Civilization” , Mexican artist Isabel Ruiz de Velasco  presents a profoundly original visual proposal that stands as a plastic testimony to contemporary times. Through stylized figures, faceless forms, and compositions dominated by warm, contrasting geometric patterns, Ruiz de Velasco reinterprets the concept of civilization from a symbolic, introspective, and universal perspective. Ruiz de Velasco’s work is distinguished by its unique visual language, where the human dissolves into the abstract without losing its spiritual essence. The silhouettes that populate her compositions do not represent individuals, but rather collective entities that embody a plural, timeless identity. Instead of focusing on traditional portraiture or linear narratives, the artist proposes a new iconography: faceless beings dressed in textures that evoke culture, history, and transformation. This approach is strikingly original, moving away from literal representation and leading us to a more symbolic plane—where each figure could be anyone, or everyone, at once. Visually, the series captivates with its refined technical execution. Isabel Ruiz de Velasco masterfully combines acrylics with visual patterns that resemble carved wood or ancient textiles. The color palette—rich in deep blacks, golden ochres, and luminous whites—gives each piece an atmosphere of depth and serenity. Her ability to integrate the geometric with the organic reveals meticulous craftsmanship, where each shape seems to flow in a silent dance. The textures evoke both the handmade and the digital, creating a bridge between past and future. “The New Civilization”  is more than a collection of works; it is a hopeful and critical reflection on collective destiny. In a world shaped by individualism and fragmentation, the artist proposes a new vision: a society that is connected, diverse, and spiritually united. The absence of faces is not an omission—it is an invitation to look beyond appearances, toward a more essential humanity. The work also suggests the idea of rebirth: a civilization that, from abstraction, is refounded with new values, where the sacred resides not in the figure, but in the bond. The viewer is confronted with a hypnotic visual language. The figures seem to emerge from the canvas like silent presences that, without speaking a word, say everything. There is a contained tension between the static and the dynamic that creates an immersive, almost ritualistic experience. Ruiz de Velasco achieves what few contemporary artists can: creating images that imprint themselves on emotional memory. Her work is not only to be observed—it is to be felt. With “The New Civilization,”  Isabel Ruiz de Velasco invites us to imagine a new world through art, form, and collective spirit. Her work is, without a doubt, a valuable contribution to the Latin American contemporary art scene and a powerful call to reconnect with what truly matters.

Juan Luis de Pablo Enríquez Rohen, composer. @jlpertheory Soundcloud: juanluisdepablo We had the honor of speaking with Juan Luis de Pablo Enríquez Rohen, a distinguished Mexican composer, musician, and professor. With a prolific career in the field of composition, he is also the creator of the innovative JLPER Theory, a proposal that integrates art, science, and interdisciplinary thinking. He shares with us his artistic vision, the discoveries that have shaped his journey, and details about his latest large-scale work. EAM:  What can you tell us about the "JLPER Theory"? Rohen:  The "JLPER Theory" is a multidisciplinary approach that I have developed over the years, connecting music with mathematics, astronomy, and archaeology. It proposes that the movements and orbits of planets are related to a musical scale, where each note corresponds to a cosmic element. For me, it is a way to integrate various fields of knowledge and discover their surprising connections. One of the most fascinating findings I have made with this theory is the reinterpretation of the Sun Stone. I argue that this monolith is not only a calendar but also reflects the position of all the planets in the solar system. Through mathematical operations, I have found correlations between the stone’s elements and planetary orbits, offering a new perspective for understanding archaeological artifacts of ancient Mexico. EAM:  Let’s talk about your career. What achievements stand out in your journey? Rohen:  I have composed more than 600 works, many of which have been professionally recorded and recognized internationally. I participated in an album that was awarded by the Akademia Musical of Europe, an achievement I deeply value. My work has sparked academic interest in other parts of the world. For example, Annika Mikołajko-Osman, a prominent soprano and pedagogue in Poland, is basing part of her doctoral thesis on the study of my theory and my music. I have also been invited to audition for doctoral programs at the Juilliard School of Music, a significant recognition of my career and the relevance of my research. EAM:  Besides your work as a composer, what other areas have you explored? Rohen:  I have dedicated a large part of my career to research and teaching. I wrote a harmony book for undergraduate students with the aim of providing a more comprehensive view of music. I have also given masterclasses at various universities in Mexico and the United States, sharing my interdisciplinary approach that combines music theory with astronomy and archaeology. For me, teaching goes beyond the classroom. It is essential to convey to new generations not only technical knowledge but also curiosity and the ability to connect different disciplines to enrich their understanding of the world. EAM:  What major project are you currently working on in Mexico? Rohen:  At this moment, I am developing a large-scale work titled "The New Civilization," a symphonic ballet that represents one of the most ambitious projects of my career. The work consists of fourteen pieces, eleven of which are written for a full large-format symphony orchestra. This work is deeply inspired by the "JLPER Theory" and addresses universal themes such as life, unity, the pursuit of virtues, and overcoming obstacles. It is a multidisciplinary project that combines music, art, and dance. The libretto is by artist Ana María Adelyn Delmar Hansen, while the visual proposal is based on the pictorial work of renowned visual artist Isabel Ruiz de Velasco, known as RUZZI. Additionally, the choreography is led by award-winning choreographer Dolores Menchaca. With "The New Civilization," I aim not only to embody my theory in an artistic experience but also to offer a profound reflection on the values that unite us as a society and the human capacity to face challenges with perseverance and dedication. We thank Juan Luis de Pablo Enríquez Rohen for sharing with us his experience, his interdisciplinary vision, and his passionate journey as a composer. Without a doubt, his "JLPER Theory" and his works represent a valuable contribution to art and science, opening new perspectives to understand the universe through music. Juan Luis de Pablo Enríquez Rohen, creator of compositions applying the JLPER Theory. Compositions Based on the ‘JLPER Theory’ Xoctlamique Nuxochiltzin - Ah Tlamiz Noxochiuh / Tepeilhuitl. "From the premiere of Tepeyollohtli  at the Tobin Center in San Antonio, Texas, to the standing ovation my piece She - Divine  received in Poland, I have taken my compositions beyond the boundaries of conventional music, challenging the very structure of what we understand as contemporary music. As an educator, I have had the privilege of mentoring generations of musicians at Tecnológico de Monterrey, the Superior School of Arts of Yucatán, and many other institutions. Sharing my experience and unique vision of musical art is a fundamental part of my work and legacy." Juan Luis de Pablo Enríquez Rohen From his training at the iconic halls of the Eastman School of Music in New York to his master’s degree at the University of Houston, Enríquez Rohen has built his path as one of the most visionary composers of his generation. His legacy not only resonates on major international stages but also leaves an indelible mark on global music education. His career is a symphony of achievements, with hundreds of registered works, a notable presence on the juries of international competitions, and a series of accolades that include prestigious awards in Europe and Russia.

"The New Civilization" by "Ruzi" is an avant-garde collection that fuses figurative realism with visual metaphors, creating a universe between the tangible and the dreamlike. His style, influenced by Picasso, stands out for enchanted figures that challenge visual limits. A tribute to art and equity "The Women's Museum of Mexico", a pioneer in promoting the gender approach in history and culture, is pleased to present the 89-piece exhibition "The New Civilization" by prominent visual artist Isabel Ruiz de Velasco. This space, recognized for its work in disseminating women's history, has been a meeting point for reflection and learning, hosting various activities such as workshops, conferences, forums and artistic shows. As part of Women's Month, this museum dresses up to welcome Isabel Ruiz de Velasco, an artist with more than 30 years of experience who has stood out in disciplines such as painting, muralism, restoration, documentary filmmaking and audiovisual production. Her work, characterized by a deep social and aesthetic sensitivity, has established her as one of the most influential creators of contemporary art in Mexico. "The New Civilization" is an exhibition that invites us to reflect on gender equality, nature and the role of women in society. Through his work, Ruiz de Velasco proposes a vision of the future where harmony and mutual respect are the fundamental pillars. His pieces not only stand out for their technique and aesthetics, but also for the powerful message they convey: the need to build a more just and inclusive civilization. The public will have the opportunity to enjoy this exhibition from March 2 to April 6. The exhibition promises to be a space for dialogue and appreciation of art as a tool for social transformation. With this initiative, the Women's Museum reaffirms its commitment to the dissemination of artistic expressions that contribute to the visibility of women in history and today. Isabel Ruiz de Velasco , a trajectory of excellence. Graduated with Honors in the Bachelor's Degree in Communication Sciences and Techniques and with a Master's degree in Development of Human Potential, Ruzi has been a disciple of the renowned teachers Luis Nishizawa Flores and Gilberto Aceves Navarro. His training has allowed him to develop his own style that has captured the attention of critics and collectors at a national and international level. Art and social commitment Throughout his career, Ruzi has used his art as a means of raising awareness and preserving endangered species, such as the monarch butterfly, whales, cats, sea turtles, and the golden eagle. In recognition of her work, she was named Ambassador of the Golden Eagle by the ENDESU Foundation. In addition, he has donated works to various institutions, including the Red Cross, Greenpeace, Kailani Events, the English Hospital of Santa Fe, the National Institute of Medical Sciences and Nutrition, and the Legaria Children's Hospital. Likewise, he created a large-format mural in the DIF of Lerma, State of Mexico. Participation in important cultural spaces Ruzi has been part of more than 350 group exhibitions and 20 individual exhibitions in prestigious museums such as: Soumaya Museum José Luis Cuevas Museum Museum of Contemporary Art of the State of Mexico CDMX Museum of Modern Art Museum of Passion Cultures for Iztapalapa Women's Museum Zanbatha Museum of the Valley of the Moon Recognitions and awards His talent and commitment have been awarded with important distinctions, including: Honoris Causa Doctorate by the Honoris Causa Doctoral Faculty. Honoris Causa Doctorate from the Institute of Higher and Postgraduate Studies Medal for Artistic Merit, awarded by the Guerra Foundation. National Women's Award. Presea de Artes y Letras. First place in the Latin American Art Contest. International impact Ruzi has represented Mexico in various exhibitions in Lithuania, Poland, Arab countries, India, Colombia, Argentina and the United States, where the California Senate granted him recognition during his lifetime. Commitment to education and culture Her passion for education has led her to donate works to national libraries and to collaborate on the SEP Free Textbook of Spanish Mother Tongue for 5th grade with her work "Invitation to Reading". In addition, his art has been part of album covers, books and the Netflix series Made in México. Featured collaborations Ruzi has worked with Pixar, Kellogg's, Procter & Gamble, Televisa and Bimbo, creating iconic characters such as Gato GC, the cat GCI and figures for Tía Rosa products. As a documentary filmmaker, he has produced 30 documentaries about great art personalities. Her relevance in the publishing field has led her to be part of the book Mexican Women in Art and to be on the cover of international magazines such as Escaparate Arts Magazine, Glamor Art and Books, Personae and Business Woman. Future projects and international events Her commitment to global causes has led her to collaborate with the UN in the international Art for Food campaign and with UNESCO in the World Education Day project. Soon, she will participate with NASA in the Distant Horizons exhibition, organized by Business Woman magazine.

Red Global Creativa (RGC) is an international guild comprised of artists and writers from around the world. With a community of over 700 members from countries such as Belgium, Denmark, Spain, the United Kingdom, Germany, India, Taiwan, Argentina, Chile, Colombia, Ecuador, Panama, Peru, and Mexico, RGC creates synergy and support in an atmosphere of fraternity. Under the motto "Together We Shine Brighter," this organization has established itself as a beacon of light for the global artistic community, offering creators the opportunity to exhibit their works and connect with international audiences through its three high-level platforms. RGC is committed to promoting and enhancing talent, generating extraordinary opportunities. The main mission of RGC is to promote cultural and artistic exchange through events, exhibitions, and publications. Its goal is to provide artists and creators with a space where they can showcase their work, connect with other professionals in the field, and reach new audiences. RGC aims to create an environment where art and literature can flourish without borders, promoting diversity and inclusion in every project it undertakes. This impactful platform was founded and is directed by two key figures in the cultural field: Cecilia Alvarez , artist and current CEO of Red Global Creativa, has been a driving force behind the growth and success of the platform. Her visionary leadership has been crucial in establishing RGC as a global reference in supporting both emerging and established talents. Clarissa Cuevas , writer and area director at Red Global Creativa, has contributed experience and commitment to the evolution and success of the platform. Her dedication to promoting artistic talent has been essential to the advancement and mission of RGC. Under their direction, RGC has organized highly relevant events and exhibitions, providing valuable visibility to a wide range of artists. Together, they have transformed Red Global Creativa into a beacon of creativity and innovation, offering exceptional opportunities to artists and writers from around the world. Both have brought a deep passion for literature and art to the development and success of the organization. Specialized Platforms Expo Internacional de Arte Creativo: Brings together artists and writers from around the world through virtual events and artistic and literary gatherings in culturally significant destinations, facilitating the exhibition of works, the creation of connections among participants, and the establishment of professional networks and high-impact collaborations. Glamour Arts and Books, Librería y Galeria: Combines a bookstore and a virtual gallery to offer a unique space where both literary and artistic works are exhibited and sold in a luxurious setting. This platform provides artists and writers with a showcase for their creations, connecting visitors with a rich array of art and literature on a global scale. Escaparate Arts Magazine:  Dedicated to the editing and distribution of regular publications, its printed volumes are available through Amazon at print cost. It also offers a digital version with free download from its platform. With articles, interviews, and reviews, the magazine celebrates creativity and innovation, highlighting the achievements of artists and writers and providing a platform for the dissemination of their works worldwide. RGC projects itself as a fundamental pillar in the promotion of art and literature, driving creators to reach their full potential and share their vision with the world. Year after year, RGC grows and expands its vision, generating new ways to keep all guild members current and in the spotlight. Red Global Creativa, under the leadership of Cecilia Alvarez and Clarissa Cuevas, is a vibrant and dynamic platform that continues to open doors and create opportunities for talents from around the world. Their dedication to promoting art and literature has transformed the way artists connect and present their works globally, ensuring that creativity and innovation continue to flourish. "TOGETHER WE SHINE BRIGHTER"

Author : Alicia García Parental alienation is a global issue exacerbated by the rise in divorces and parental immaturity. This phenomenon, where one parent manipulates the children to reject the other, causes deep emotional harm to children, affecting their development, self-esteem, and future relationships. The increase in divorces has exposed more children to this manipulation, turning homes into battlegrounds. Parents, unable to resolve their differences in a civilized manner, prioritize their resentments over the emotional needs of their children. It is essential for parents to understand that their responsibility as caregivers continues after separation. Mediation and counseling can help improve communication and cooperation for the benefit of the children. Institutions and legal systems must implement policies to detect and address parental alienation, ensuring children's rights to maintain meaningful relationships with both parents. In conclusion, parental alienation requires the attention and joint action of parents, professionals, and legislators to ensure a safe and loving environment for children. For a deeper and more humane understanding of this issue, readers are invited to explore Alicia García's book, which addresses this topic from a very human and educational perspective. Alicia García Ortiz: Advocate for Children's Freedom and Committed Educator. A distinguished educator and author with a Master’s degree in Education and Research, and over 33 years of experience in special education. Her career includes 14 years teaching the Seminar on Exceptional Beings in the Master’s program in Creative Education, a key program for training specialized educators and promoting innovative methodologies for managing exceptional individuals. For the past 12 years, Alicia has hosted and produced "La Pregunta del Águila que se Levanta" on 89.5 FM Radio UAQ, a program discussing educational and social issues, reflecting her commitment to the educational community. In the editorial realm, Alicia has published "Libertad a los Niños, la Victoria es de Ellos," a book highlighting the importance of providing children with an environment of freedom and autonomy from an early age. This work offers tools and strategies for parents and educators to foster comprehensive development and child empowerment. Alicia will soon collaborate with Maricarmen Villasana on the poetry book "Passionata y Pinceladas Azules," which will combine art and poetry to explore and evoke emotions through Maricarmen’s visual work, with over 40 years of experience in the field. Additionally, Alicia is developing a visual and poetic project to raise awareness about child protection, focused on the loving and responsible care of children and youth victims of violence. This project aims to educate society on the need to protect children and each individual as a guardian of their well-being. Alicia García Ortiz’s work stands out not only for her professional achievements and publications but also for her unwavering commitment to education and child welfare. Her humanistic approach and passion for improving the lives of children and youth continue to inspire educators and citizens, making a significant impact in the field of education and beyond.

Author: Fátima Pérez In a context where improving quality of life is crucial, the book offers a reflection based on personal and shared experiences to guide us in meeting our true selves. Developing and fostering our values, abilities, and self-confidence is essential to grounding ourselves in the present and understanding that we are here to be successful and happy. The book highlights the importance of recognizing our skills, respecting ourselves, and maintaining high self-esteem. In relationships with others, it emphasizes awareness of social norms and values, respect for human dignity, and acceptance of individual differences, promoting meaningful cooperation. It also underscores the enhancement of our perception of life through strong communication, recognition of the present, and understanding the mission each person has. With extraordinary faculties, it emphasizes that we are capable of achieving everything we set out to do. The final message is clear: we are the intensity with which we act, the strength with which we share, and the love we give. Create magical moments, surround yourself with wonderful people, and cherish each day. Live in an atmosphere of love and turn your dreams into reality. Fatima Pérez: A Life Dedicated to Education and Literature. Ecuadorian writer and poet, she is a prominent figure in the literary and educational fields, with an impact extending beyond Ecuador's borders. Her career as an educator, complemented by her passion for literature, has established her as a key influence both nationally and internationally. With a degree in Psychology and a doctorate in Pedagogy, Fatima Pérez has dedicated 42 years to teaching at all educational levels, from basic education to university. Her current role as Academic Coordinator at the Instituto Superior Particular Iberoamericano highlights her commitment to academic training. Additionally, Pérez serves as a speaker and pedagogical advisor and has been a fellow of the Korea International Cooperation Agency (KOICA). Her work includes innovative projects such as "Enhancing Social Skills through Emotional Intelligence" and "Self-Learning Skills," reflecting her focus on the holistic development of students. In the literary realm, Fatima Pérez has made significant contributions with her works. Among her publications are "Human Values as the Essence of Being," "General Didactics Manual," "Seeking Personal Growth through Thought and Reflection," "Towards a Scientific Culture," and the acclaimed "Life Skills." Her most recent works, the poetry collection "Feelings of the Soul 2," and the book "Personal Fulfillment," continue to enrich the literary landscape with profound and contemporary themes. Fatima Pérez's achievements have been recognized with numerous awards and distinctions. In 2023, she received an Academic Doctorate from the Official International College of Doctors in Santo Domingo and was certified as an Ontological Coach by the Creerlo Lima School. She was also honored as a Peace Ambassador by the Universal Peace Federation (UPF) in Lima and received the Honorary Title “Social Leader of Excellence” and the “Human&Social Excellence” recognition from Indiana University. Currently, Pérez is a member of the International Federation of Writers, Poets, and Artists for World Peace (FIDEPA) and is nominated for the Honorary Doctorate Title at the XXVII Ibero-American Education Summit 2024 in Bolivia. She is also part of the Board of Directors of Red Global Creativa, where she continues to promote literature and global peace. Fatima Pérez remains an inspiring figure, demonstrating how education and literature can combine to create a significant impact. Her legacy in promoting culture, peace, and personal development continues to influence generations of readers and educators around the world.

Author : Ariel Mauricio Throughout life, every experience, encounter, and moment weaves into the tapestry of our existence. These experiences, captured in narratives, poems, and reflections, allow us to connect with the essence of who we are and what we share with others. Narratives: "Stories of Life" The narratives capture the essence of our days, telling stories that reflect our dreams, challenges, and triumphs. We relive moments from childhood, youth, and maturity, inviting us to reflect on our own experiences and universal emotions. Poems: "Verses of the Soul" Poems are the voice of the soul, lyrical expressions of our deepest feelings. In them, love, sadness, hope, and longing intertwine in verses that resonate within us. Poetry allows us to explore beauty in simplicity and find solace in times of uncertainty. Reflections: "Thoughts and Wisdom" Reflections offer us a pause from the hustle of daily life, allowing us to consider and understand what we have lived through. Through them, we find lessons and insights, distilling wisdom from our experiences, and seeing the world from different perspectives. Narratives, poems, and reflections reveal life in its complexity and beauty, connecting us with others. Sharing these forms of expression celebrates the humanity that unites us, finding comfort in empathy and joy in mutual understanding. As you journey through the pages of "Escuchando mis recuerdos," we hope you find a reflection of your own experiences and a connection to the essence of life. Ariel Mauricio García Oliva: Passion for Education and Writing Ariel Mauricio García Oliva is a distinguished Mexican teacher and writer from the State of Mexico. His career in education began in 1979, focusing on teaching children, adolescents, and adults in various institutions across the State of Mexico. He has worked at all educational levels, from preschool to postgraduate, which has allowed him to deeply understand the diverse sociocultural realities and the rich idiosyncrasy of his region. With a Bachelor's degree in Basic Education and Philosophy, as well as a Master's degree in Educational Administration, Ariel has played multiple roles as a speaker, advisor, and consultant for educational programs. His greatest satisfaction has come from working in the Normal Schools and Basic Education institutions of the State of Mexico, where he has imparted knowledge with special affection. Throughout his career, Ariel has learned that education is a continuous dialogue that allows us to understand ourselves through others. This philosophy is the essence of his book, " Escuchando mis recuerdos ," in which he shares his experiences and life stories. As a writer, Ariel is a member of the "Red Global Creativa," an association that has been fundamental in his literary development. He has participated in significant artistic and cultural events, such as the Second Artistic and Literary Meeting in San Miguel de Allende in 2023 and the Multicultural Festival LITERARTE in San Cristóbal de las Casas in 2024. Additionally, his works have been featured in the magazine "Escaparate Arts Magazine" and the virtual bookstore "Glamour Art & Books." He is also an active member of the "Escritores Unidos a Otro Nivel" and "El Encuentro" collectives. His book " Escuchando mis recuerdos " has been published on Amazon as a Kindle e-book and by Editorial Utrilla. With the support of Red Global Creativa and his publishing house, he has presented his work at various forums and educational institutions, such as Radio Universidad de Querétaro, Universidad Pedagógica Nacional Plantel Atizapán, Centro de Estudios Universitarios Doctor Emilio Cárdenas, and Comunidad Educativa Hispano Americana. He has participated in the International Book Fairs (FIL) in Guadalajara, Jalisco; Bogotá, Colombia; and Lima, Peru. In Colombia, he introduced his character Maguito, "The Forgetful Wizard of Letters," achieving a special connection with audiences of all ages. Additionally, Ariel has participated virtually in the Cultural Festival organized by Red Global Creativa and in the FILs of Australia, the United Kingdom, and Ecuador, as well as various social media platforms. Currently, he is working on his second book, "Anhelos, Recuerdos y Añoranzas," which he hopes to share with his readers in February 2025, under the banner of Editorial Utrilla. He is also a member of the Board of Directors of Red Global Creativa, where he serves as a committee evaluator, contributing to the advancement and promotion of the guild's members.

Master Craftsman and Cultural Promoter Joaquín Alberto Vásquez Sánchez, originally from the Heroic City of Santa María Asunción Tlaxiaco, Oaxaca, Mexico, has dedicated his life to preserving and spreading the folk art of his region. His career began at a very young age when he started dyeing wool and creating quilts, sarapes, rugs, and cotton fabrics. Using natural raw materials, he creates landscapes and pre-Hispanic symbols with a unique polychromy. Later, continuing with the family heritage, he delved into crafting religious figures and milagros, as well as the famous "lead soldiers" (now made of antimony). These figures, made using ancestral techniques with stone molds, come in various sizes, colors, and shapes: flat, semi-flat, and three-dimensional, depicting cavalry and infantry. They represent characters from Mexican history, pre-Hispanic eras, ethnic groups, animals, musical instruments, and miniature toys. Each piece is unique and has a life of its own. Over time, he evolved from solitary figures to dynamic stage sets with models, earning significant national and international recognition. However, the greatest reward is the public's appreciation of his work, which he always tends to with meticulous attention to detail. As a folk artist, he has received numerous honors. He has been an ambassador for Oaxacan culture, grateful for the recognition of his work, exhibited in free and open spaces, as well as in museums, galleries, government offices, cultural centers, and private collections. "I will always be thankful for the cultural value given to my pieces and in that way pay tribute to my origins," he states. In 2005, he created 150 pieces representing ethnic groups from the Mexican Republic, which are permanently displayed at the Museo del Campo at the Universidad de Chapingo, Texcoco, State of Mexico. These works, with their typical attire, highlight every detail that distinguishes them from one another. His collections have been purchased for display in museums in France, Brazil, Cuba, and other Latin American cities. He has also donated numerous pieces of his work to museums in Mexico, such as the Museo de Arte Popular María Teresa Pomar at the University of Colima, to which he donated around 500 pieces and 20 stone molds, ensuring that the tradition and process are preserved and shared with future generations. He has been honored with significant national awards and recognitions, including: National Youth Award in the category of Arts and Popular Traditions (1987). Recognitions from the National Commission of Free Textbooks for illustrating pages in textbooks for 1st, 4th, and 5th grades with several of his pieces. Participation in the book "Grand Masters of Oaxacan Folk Art," organized by the government of the state of Oaxaca, Harp Helú Foundation, Banamex Cultural Foundation, and Conaculta (2011). His dedication to folk art not only aims to preserve traditions but also to celebrate and share them with the world, ensuring that future generations continue to appreciate and value the rich cultural heritage of Oaxaca. "Melting the metal and bringing my pieces to life through a wide range of colors transports me to everyday life, to the landscapes, colors, smells, and flavors of my Mexico." Joaquín Alberto Vásquez Sánchez

Artist: Isabel Ruiz de Velasco Artistically known as "Ruzi," she is a prominent Mexican painter with recognition both nationally and internationally. She has developed a unique style and addressed profound themes, becoming an influential figure in contemporary art. "The New Civilization" is my legacy as an artist. Exhibition of "The New Civilization" Ruzi's most recent and ambitious project is her collection "The New Civilization," which will be presented on March 8, 2025, at the Women's Museum. This exhibition reflects her vision of the future and the interconnectedness between humanity and nature. In addition to the paintings, "The New Civilization" will be complemented by a multidisciplinary show in collaboration with the Lolita Menchaca Folkloric Ballet, where 60 dancers will wear costumes inspired by Ruzi's works. The script and music for the show are also based on her collection, and it is proposed to be presented in 2025 at the Palacio de Bellas Artes. Isabel Ruiz de Velasco continues to set the course for contemporary Mexican art with her unique vision and commitment to social and environmental causes. Her legacy keeps growing, inspiring future generations of artists and promoting dialogue about the interconnectedness between humanity and nature. Isabel Ruiz de Velasco: Art as the Voice of Nature and Humanity. Ruzi studied Fine Arts at the National School of Fine Arts (ENAP) of the National Autonomous University of Mexico (UNAM). Her style is characterized by an expressive use of color and form, combining figurative and abstract elements to explore themes of identity, nature, and human emotions. Ruzi’s works frequently explore the relationship between humans and their natural environment, seeking to capture the essence of nature and the emotional and spiritual connection with it. She uses techniques such as oil and acrylic on canvas, notable for their rich textures and vibrant colors. Ruzi has held numerous solo exhibitions in major galleries and museums in Mexico, such as the Museum of Modern Art and the Museum of Contemporary Art of Monterrey (MARCO). Her work has been part of international group exhibitions in countries such as the United States, Spain, France, and Japan. She has received several awards and honorable mentions, including grants and artist residencies. She has collaborated with other artists and collectives on interdisciplinary projects that combine visual art with other forms of expression, such as music and literature. In addition to her career as a painter, Ruzi has been involved in educational projects, conducting workshops and master classes for young artists. Isabel Ruiz de Velasco has been an influential figure in contemporary Mexican art. Her work is appreciated for its aesthetic quality and its ability to provoke reflection on social and environmental issues, inspiring new generations of artists. A disciple of masters Luis Nishizawa Flores and Gilberto Aceves Navarro, Ruzi has perfected her techniques under their guidance. Her art addresses significant causes, such as the preservation of endangered species. She has participated in more than 300 group exhibitions and 20 solo exhibitions, receiving numerous awards, including the title of Doctor of Doctors from UNAM and an honorary doctorate. In 2024, she was awarded the Arts and Letters Award as a Leading Woman of the Municipality of Naucalpan. Named Ambassador of the Golden Eagle in 2022, she has represented Mexico in international festivals and exhibitions. She has contributed to education by donating works to national libraries and collaborating with the UN and UNESCO in campaigns to combat hunger and promote gender equality. Her art has been published in books and records, and she appeared in the Netflix series "Made in Mexico." She has been featured on the covers of art and culture magazines, interviewed on national and international programs, and distinguished as a juror in art competitions. Her works are found in renowned public and private collections, including that of former President Enrique Peña Nieto. She has also participated in the fight against breast cancer. "Art is my visual voice, with which I contribute to the causes of people in need and endangered animals."                           Isabel Ruiz de Velasco.

Author: Sandro Pérez. Novels are a magical gateway to unexplored worlds, where reality blends with imagination and every page promises a new adventure. They transport us to different times and places, allowing us to live other lives and experience intense emotions from the comfort of our homes. Each novel is a unique universe, inhabited by characters who teach us lessons about life, love, loss, and hope. Through their stories, we gain a deeper understanding of the complexity of human nature and the experiences that shape our existence. Novels allow us to explore our own emotions and thoughts. Reading a novel is a personal and intimate journey. Each reader interprets the story uniquely, finding meanings and connections that resonate with their own life. Novels invite us to dream and reflect, to escape from daily routines, and to discover new perspectives. Additionally, novels have the power to bring people together. Sharing a favorite novel with someone creates a special bond based on the shared experience. In summary, novels are incredible because they let us live multiple lives, explore both fantastic and real worlds, and better understand the human condition. They are an inexhaustible source of entertainment, wisdom, and connection, reflecting us in the characters and their challenges, with a profound and lasting impact. When you have the opportunity to read "VISIONES: El Origen de las Revelaciones Ocultas en Nuestra Mente", Remember that you are embarking on an extraordinary adventure that will enrich your mind. Sandro Pérez, a vanguardist writer. Sandro Pérez, has set out to revolutionize minds and explore the depths of the human psyche. Through fantastic and dissonant narratives, his stories invite readers to question themselves and delve into the pages to grasp the entirety of his narrative proposal. His characters, coherent and passionate, are full of glory and affection for others, driven by their dreams in surreal and fantastic settings. In addition to his literary work, Sandro is dedicated to higher education, sharing with his students the importance of coherence and reflection in everyday life. He finds inspiration in the daily experiences of people and workers who, through their efforts, build a better world. For Sandro, these individuals are his heroes and characters; he has profound admiration and respect for those with noble hearts, who, according to him, are the true owners of this world and beyond. Among his notable works is the novel "VISIONS: The Origin of the Hidden Revelations in Our Mind," a blend of suspense and drama through a fantastic narrative. Additionally, Sandro is an official ambassador of the International Chamber of Speakers, an internationally certified professional coach by FTP Brazil and AEAPRO Spain, and licensed by the International Association of Coaching (IAC) USA. He is currently pursuing a degree in Organizational Psychology at the Technological University of Mexico, complementing his extensive training in psychology, human resources management, an MBA in business management, and specialization in political campaign management. His outstanding performance as a teacher in Investment Projects for the textile education sector earned him the Medal of High Honor from the Congress of the Republic in October 2015. The following year, the National University of San Marcos awarded him the Medal of the E.A.P of Textile Engineering and Confection for his significant contributions to the Project Management and Investment program for the Textile Industry. Sandro Pérez is also the interviewer behind the program "15 Minutes with Sandro." This interview space stands out for its focus on artists and diverse personalities, providing a platform to share their stories and experiences. Sandro has gained recognition for his friendly style and insightful questions that invite guests to delve deeper into their careers and projects. For more information and to view some of his interviews, you can visit the YouTube channel of "15 Minutos con Sandro" .